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I’ve been thinking a lot about that fateful night on November 11, 2013, when Arash Farazmand and others lost their lives. It really hits hard knowing that these talented musicians left Iran, likely facing immense challenges, only to end up facing such a tragic end in what was supposed to be their sanctuary. As much as we talk about the events themselves, I'm drawn to the idea of what they were trying to accomplish by coming to Brooklyn—continuing a musical journey that was not possible back home. It's sad how Arash and Soroush, who found a way to pursue their passion here, became victims of unresolved anger and despair. The music scene in Brooklyn is vibrant and has a history of bringing together diverse voices. These young men contributed to it in their unique way, and it's unbelievably senseless that a disagreement and isolation could lead to such an irreversible tragedy. My thoughts often go out to the friends and families of Arash, Soroush, and Ali Eskandarian, as well as the surviving members of The Yellow Dogs. I can only imagine how difficult this has been for them. If this case brought anything positive, perhaps it’s a heightened awareness about how much immigrant artists give up to follow their dreams. It makes me appreciate the art scene here even more—how it welcomes people from all over the world—and prompts the hope that somehow it will become a safer place for everyone involved.
